I think a lot of that to do with the way his character is being set up, especially in contrast to the other Avengers.
Of all the characters with an arc in Civil War, Vision is the only character whose emotional perspective is never discussed. Wanda talks about how people feel about her and how she feels about herself; T’Challa expresses his feelings on vengeance and letting go; Tony talks about his guilt and his desire to keep his family together, etc.
But since most of Vision’s dialogue is about logic–what he thinks has, is, and will happen based upon his understanding of the facts of the situation–the audience is left to their own interpretation. There is only one instance, in my opinion, in both of his movies where Vision expresses what is clearly emotional motivation–
Despite that, the writers tried to be as clear as possible that Vision has trouble detecting social cues and emotion in other people–his introductory scene in Civil War really smartly sets it up.
Not only does it establish Vision’s unfamiliarity with social customs, they take it a step further by telling us even though Vision doesn’t understand these social rules, he still attempts to respect them to the best of his ability. That’s the point of this bit right here:
This line is meant to tell us that Vision intended to respect Wanda’s desires, but that their previous discussion (”We talked about this!”) led him to believe that the layers and caveats about privacy were different than how Wanda sees them.
This scene sets the tone for all of Vision’s scenes: that even though Vision does not intrinsically understand, he makes an effort to learn. His understanding and experiences are very different from the rest of the characters, but he is by no means malicious or even unthoughtful.
If Infinity War chooses to expand on Vision’s perspective of emotion I think it’ll be easier for audiences to understand. Until then, all those things that assign Vision a malice that isn’t there–that Vision was trying to manipulate Wanda into staying at the compound; that he was trying to blame her for the “catastrophe”; that he purposefully shot Rhodey down in anger, and so on, will persist.
So in the mid 90s Cartoon Network used to have a short cartoon called The Justice Friends, which usually showed in between episodes of Dexter’s Laboratory. It was a parody of the Avengers (and some other Marvel characters with occasional DC spice), and usually it featured the characters Major Glory, Valhallen, and
The Infraggable Krunk, each parodies of Captain America, Thor, and the Incredible Hulk.
But occasionally you’d also see parodic versions of other Avengers, including Scarlet Witch and Vision, called Miss Spell and the Phantone. The episode “Barbequor” had their most major relevant appearances (they participate in a potato sack race together).
It gets overlooked a lot, but the whole “Wanda’s kids are imaginary” thing was actually a retcon. The original mini went pretty out of the way to establish that she was totally for-reals pregnant.
Ok, so Anon prompted me to do ScarletVision in PJ’s watching Disney cartoons, and here’s my take on it. I decided to use digital media instead because I’m using a different laptop.
Vision loves Dsiney.
“Each character’s strengths, skills, and personality dictated the chain of events,“ Bennett says. "Hawkeye is pretty much special ops, so he movies and operates as such–relying not only on his skills, but on his weapons, as well. The goal was to make him almost invisible in the first half of the scene–cunning, to the point he could fool Vision and his arsenal of technology. The idea was to keep the suspense or mystery about who, or what, was intruding into the compound. […] Wanda was supposed to come off as insecure and conflicted in the beginning. Then in the end, she shows you really don’t want to mess with her,” Bennet says. “Vision was great, because of the character’s creepy aspect. He’s an android, yet he can chance the molecular structure of his body. I like the element of contained or controlled power in Vision’s archetype. It was a challenge, though, to depict Vision in a menacing way, yet not so violent that it seemed he might kill Hawkeye with his next move. And then again the scene–and the violence–had to escalate in order for Wanda to react.” – Richard Bennett Lamas
This is an early version of Vision vs Hawkeye during the compound escape for Civil War. Notably, Vision is much more violent in this, less passive. It also shows us there were plans to have Vision able to interface with the compound’s security cameras–possibly explaining how he knew Clint had arrived in the finished film.
I’ll post other excerpts from the art book later, but I thought this was the most notable change.
Since another round of “Vision was manipulating Wanda” posts are popping up, I thought I’d discuss something that I’ve been meaning to: what Vision thought happened at the compound during Wanda’s escape.
A big part of it comes down to this little bit, right here:
Why does Tony think Wanda didn’t want to leave? We know that Tony didn’t speak to Wanda before he next sees her in the airport. Vision did. Later on Tony tells Wanda he thinks she hurt Vision’s feelings, meaning Vision has spoken to Tony, and informed him on his view of the event: Tony isn’t making assumptions, Vision told him that Wanda didn’t want to leave.
But why would he, when she had announced to him she was going to leave?
From his perspective, Wanda initially rejects Clint, and agrees with Vision and Tony that she should stay at the compound.
Vision is inexperienced when it comes to picking up social cues. The creators have made sure we understood that in all of one minute, when earlier in the movie Vision phases into Wanda’s room, misunderstanding the intricacies of human social concepts like privacy.
So while the viewer, and Clint, can easily detect Wanda is dejected and clearly unhappy with her decision, to Vision, Wanda has made the logical choice, and chosen to stay at the compound.
But then Clint tells her something that makes her change her mind.
Clint told Wanda that if she wanted to make up for what she’s done wrong, she has to come with him.
This goes back to Vision missing emotional nuance. The audience knows is that Clint gives the encouragement Wanda needs. She wants to be involved, not sitting on the sidelines. That doesn’t suit a woman who has made sure she was always personally in the fray, fighting for her beliefs, even if at times she wasn’t sure if it was the right thing to do.
For Wanda, she saw the logic in what Vision was saying, but emotionally she never fully agreed. Vision was not manipulating her by telling her why he thought she should stay; Clint was not manipulating her by telling he why he thought she ought to go.
But for Vision, who hasn’t fully grown as a person and whose ability to understand people is limited in some ways, what he sees is a situation where Clint arrives in subterfuge, tricks Vision to make sure he’s alone with Wanda, attacks Vision unprovoked, and then uses her guilt against her to get her to side with him.
So later, when Tony asks what happened, Vision will say that Wanda never wanted to leave. Wanda had agreed with him; Wanda was safe. It was the logical choice.
Shortly later, Vision will learn precisely the impact of emotions, and how influential they are to decisions thought coolly logical.
Those Celestial Bodies 